Ana and I have been going through a bit of movie withdrawl lately. So, despite there not being any especially exciting movies out there right now, we decided to binge anyway.
I listed the movies by their metacritic scores, from highest to lowest — Half Nelson (85), Last Kiss (56), School for Scoundrels (45). And while I agree that those scores more or less reflect the serious-ness of the films, I gotta say that I would have ranked them in the reverse order.
School for Scoudrels: Despite the dopey name, Billy Bob Thorton is friggin hilarious as a kind of bastard life coach for a group of social retards. Jon Heder isn’t as great as he was in Napoleon Dynamite, but still holds his own as a wanna-be dick. It’s a little bit like watching Thorton’s Bad Santa giving Heder’s mid-western dofus a verbal smackdown, then steal his girl, then get him fired, and so on. It’s just good clean fun. And Sarah Silverman was awesome as the grumpy roommate of Heder’s love interest, who refers to him as “Dahmer” every time he knocks on the door.
The Last Kiss: OK, so the Zach Braff-selected soundtrack is as good as Garden State’s, but that’s about the only thing. I could relate to almost all of the four main plots, about 20-something guys struggling in their relationships and marriages, but this movie really felt like it was a male wallow-fest. The central plot, about Braff cheating on pregnant girlfriend Jacinda Barrett (with the O.C.’s Rachel Bilson), was outcome — Braff begging for forgiveness by staging a sit-in outside their home — didn’t ring true to me. The last few marriages I’ve seen break up because of infidelity didn’t exactly work out that way. Remourse, much less begging for forgiveness, didn’t even enter the picture. In that sense, I think the HBO movie Dinner With Friends much better captures the ugly spirit of bold-faced infidelity.
Half Nelson: This is the one I’ve seen getting all the critical praise and Oscar buzz. And while the story, about a drug-addled inner-city school teacher befriending a student after she discovers his secret, is well executed (and at times, riveting), I found it hard to empathize or root for the two main characters. They were OK, but not enough to propel me emotionally through the whole flick. And, well, the movie is a total downer. Not that there’s anything wrong with that. But still, it is.